<cite id="d9bzp"></cite>
<cite id="d9bzp"><span id="d9bzp"></span></cite>
<cite id="d9bzp"><video id="d9bzp"></video></cite><var id="d9bzp"></var>
<var id="d9bzp"><video id="d9bzp"><thead id="d9bzp"></thead></video></var>
<menuitem id="d9bzp"><video id="d9bzp"></video></menuitem>
<var id="d9bzp"></var><cite id="d9bzp"><video id="d9bzp"></video></cite>
<cite id="d9bzp"></cite>
<var id="d9bzp"></var>
<var id="d9bzp"></var>
<var id="d9bzp"><video id="d9bzp"><thead id="d9bzp"></thead></video></var>


时间:2017-08-26 音乐学毕业论文 我要投稿

摘   要



Piano, as a foreign musical instrament, has an inevitably collision with China’s nationally traditional, musical culture. Therefore, China’s piano piece has formed its own national features in the creation and performance, which embodies Chinese eople’s thoughts, feelings and eathetic tastes. The thesis briefly analyzes China’s piano pieces in meledy, rhythm and co-sound, upon which some new insights have been brought out. During performance, it is advisable to have a national touch, and in thinking to combine related elements linearly and dimenionally, in the chniques to mix sound quality with traditional ones so as t promote the musical feature of the expression of spirit together with deep feeling, which can display the profoundly artistic charm.
Key words: China’s piano pieces, creation characteristics; performance; expression of spirit

云南快乐十分哪个好_北京pK怎么玩-湖北快3怎么玩 刘维| 巴金| 韩国击败科特迪瓦| 我有一座恐怖屋| 故宫开放时间调整| 30公里收费750| 博古特数钱手势| 故宫| vivo| 西部世界|