<cite id="d9bzp"></cite>
<cite id="d9bzp"><span id="d9bzp"></span></cite>
<cite id="d9bzp"><video id="d9bzp"></video></cite><var id="d9bzp"></var>
<var id="d9bzp"><video id="d9bzp"><thead id="d9bzp"></thead></video></var>
<menuitem id="d9bzp"><video id="d9bzp"></video></menuitem>
<var id="d9bzp"></var><cite id="d9bzp"><video id="d9bzp"></video></cite>
<cite id="d9bzp"></cite>
<var id="d9bzp"></var>
<var id="d9bzp"></var>
<var id="d9bzp"><video id="d9bzp"><thead id="d9bzp"></thead></video></var>


时间:2017-08-26 音乐学毕业论文 我要投稿

摘   要

关键词:鱼咬尾; 连接手法; 创作素材; 创编手法; 演奏技法


Two Springs Reflect Moon, a masterpiece of China’s flok blird musician named A Bing (or Hua Yanjun), has powerful influence in musical circles home and abroad dut to its tuning balenchly and singing traits. The piece absorbed elements from the folk,songs in South Jiangsu and tunes of Tanhuang in Changxi, possessing a tender and delicate feeling. The typical model is each line connected from edn to end. The first note of a line shares the same note of the last of the former, which is called “the fish bktes the tail” in folk melody.
The blind musician applied “the fish bites the tail” skillfuly all through the piece. A carepul research into the practice is of significance and value for its creation nesources, tunes, melody, emcotion expression and playing perforamance.
Keywords:The Fish Bites the Tail; Conuunctions; Creation Resources; Composition; Performance

云南快乐十分哪个好_北京pK怎么玩-湖北快3怎么玩 城市猎人| 西部世界| 故宫| 沈梦辰| 校花的贴身高手| 贵阳取消购车摇号| 任达华逛街被偶遇| 日本列车卡车相撞| 西部世界| 沙特公主巴黎被打|